Last summer I acquired a beautiful blue and green vintage chinoiserie blouse — that was too small for me. But the silk was too lovely to ignore, and the loops and covered buttons down the front, ahhhhhh. I had to do something! After a bit of pondering, I took the whole thing apart and made a truly lovely scarf, with pockets. I used a blue organza for lining and piping, and incorporated the button front to make two buttoned pockets. I love wearing it! (And I still have some of the fabric left!)
10/05/2011
From Blouse to Pocket Scarf
Posted by Brigid Manning-Hamilton under creative process, wearable art | Tags: repurposing, textile art, wearable art |Leave a Comment
14/01/2011
Finger Puppets Floating ’round In My Head
Posted by Brigid Manning-Hamilton under creative process, handwork, mixed-media, Textile art, Work In Progress | Tags: creative process, knotless netting, puppets, repurposing, textile art |Leave a Comment
I’ve been daydreaming about the possibilities of finger-puppets and today went and browsed through my motley yarn collection. I’m not a real knitter, nor, any longer, a weaver, but I have bits and pieces of yarns of various sorts. Even a quick assortment suggests possibilities —
butterflies? angels? robots? cardinals, bluebirds, jays? dragons? It will be fun to start playing.
30/12/2010
A Brief Breather — with time to show you my custom holiday orders (1)
Posted by Brigid Manning-Hamilton under creative process, wearable art, Work In Progress | Tags: creative process, repurposing, textile art, wearable art |Leave a Comment
Taking a quick moment of peace and quiet in a Library to show you my last-minute work. A reader saw my scarves on the blog, and inquired about the possibility of getting a custom job done before Christmas, request: neutrals, size approximately 10″ x 52″. So that is what I did. As I was working on it, at one point I realised that — oooohhhh — couldn’t a dress version be done (lined, of course…). So I took a picture of it pinned up on the studio door, for future musings. And yes, it got sent out in time for Christmas.
30/12/2010
A Brief Breather — with time to show you my custom holiday orders (2)
Posted by Brigid Manning-Hamilton under creative process, handwork, mixed-media, Textile art, Work In Progress | Tags: creative process, knotless netting, mixed-media, puppets, repurposing, textile art |Leave a Comment
(part 2, so’s not to have to fight the photo placement gremlins)
Some of you have seen the little knotless-netting creatures I’ve made for fun. ( see Knotless-Netting Cat Toy and Theodora the Knotless-Netting Owl ). Awhile ago I began to get the idea of making finger puppets along these lines. It took a fair amount of trial and error and squinting, but I finally figured out a way to do it. I showed some of the experiments to a friend who delighted me by being enchanted, indeed so enchanted that she requested one for each of her children. In time for Christmas, of course. Since she is a dear friend, I obliged. Let me introduce you to the finger-puppet Creatures.
14/12/2010
More Scarves
Posted by Brigid Manning-Hamilton under creative process, Textile art, wearable art, Work In Progress | Tags: creative process, repurposing, textile art, wearable art |Leave a Comment
What can I say — now that I’m into it it’s hard to stop…
Off to work on another project!
11/12/2010
Trunk Show Scarves!
Posted by Brigid Manning-Hamilton under creative process, Textile art, wearable art, Work In Progress | Tags: creative process, repurposing, wearable art |1 Comment
I know the scarves I make aren’t “Great Art”. They are decorative exercises in colour and texture, and come in many moods for people to choose from. More than 75% of the materials that go into my scarves is repurposed and/or vintage. The beautiful silks and wools look much better around worn around town than they do in the landfill. No two are alike, and I hope people can find something special.
Some of the scarves that will be in the December 2010 Fine Arts Trunk Show at LaLa Gallery:
I’ll post some more tomorrow.Must go make tags.
04/12/2010
Scarves, scarves, scarves…
Posted by Brigid Manning-Hamilton under creative process, studio, wearable art, Work In Progress | Tags: creative process, repurposing, upcycling, wearable art |Leave a Comment
I am working away making bloody awesome, if I say so myself, scarves for the December 2010 Fine Arts Trunk Show at LaLa Gallery . Scarves aren’t <deep voice here> Great Art, but they can be decorative ArtWear and making them is a wonderful way to simply play with colour and texture.
These scarves are awesome, not only because I am making them but also because I am working with such fabulous material — vintage saris, Chinese silk brocade, incredible Italian wools, hand-woven vintage Thai silk with 1950’s printed motifs. I’d guess that 85-90% of the materials I use in these scarves is repurposed, vintage, or both.
18/05/2010
Working on My “Figure” — Part 4
Posted by Brigid Manning-Hamilton under building stuff, creative process, flotsam and jetsam, handwork, mixed-media, religious art, Textile art, Work In Progress | Tags: building stuff, creative process, knotless netting, mixed-media, repurposing, textile art, upcycling |Leave a Comment
It’s hard to say “fleshing out” about a ghost, but I have given her a swirl around her skeleton and ghostly innards that is part arms, part wings, part very ragged cloak. There are shreds of burnt, worn, “leather” cloak hanging from the hollow bones.
After all, when I’d gotten this far I stood her in the kitchen next to the fridge, in front of the open shelving. The Gentleman Caller got home after work and set something on the shelves, went over and opened the fridge… I said, “Whaddya think?”. He turned and said, “What?”. He had been moving around and reaching for things within 2 or 3 inches of her and neither seen nor collided with her. She is a real ghost.
Now all she needs is blood — she is alive, is she not? And carries some long-ago pain, I think, through time and space. Now she is hanging out at the Art Museum of Greater Lafayette http://artlafayette.org/index.shtml as part of Go Figure: Creatively Transforming our Environment.
I am fascinated to learn that “valr”=the slain [and I think, must be connected in some fashion, perhaps cognate-wise, to “valour”]. “kyrie”=”kur”/”kuz” cognate with “chosen”. In Greek, “kyrie” means “lord” which is ideally related to chosen or at least deserving, and is best known from the Christian cry, “Kyrie eleison” — “Lord have mercy”. I suspect one could write a paper about the Valkyrie — choosers of the slain — and angels, and asking for mercy, and “Kyrie eleison”.
I’m looking forward to discussions of the linguistics here.
18/05/2010
Working on My “Figure” — Part 3
Posted by Brigid Manning-Hamilton under building stuff, creative process, flotsam and jetsam, handwork, mixed-media, Work In Progress | Tags: building stuff, creative process, flotsam and jetsam, knotless netting, mixed-media, repurposing |Leave a Comment
She got her head and hair. I have her looking askance, in the other direction from her shy feet. Then she was ready to be fitted with her helmet, which was the jumping-off point for the whole piece — I’d been eyeing it for over a year; it screamed Viking helmet, but a little “off”. Less menacing/protective; more ethereal and elongated, as though swept upwards by a draft, or smoke.
Because of the reflective surfaces, this piece appears quite different, depending on the light and angle of vision.
The face is attached with knotless netting in wire to the frame and looks out from behind the protective grill that morphs into her skeleton.
12/05/2010
Working on My “Figure” — Part 2
Posted by Brigid Manning-Hamilton under building stuff, creative process, flotsam and jetsam, handwork, mixed-media, Work In Progress | Tags: building stuff, creative process, flotsam and jetsam, knotless netting, mixed-media, repurposing, upcycling |Leave a Comment
She’s taking shape from the bottom up. She now has her skeleton and her ghostly innards. Before I start in on her head I’m posting some pix of what she looks like now. The stretchy black/silver netting (boughten, not made) is attached at the top and bottom with knotless netting that no one can see, and anchored at each “rib” with, essentially, lashing, wrap and tie and knot. I wish I’d payed way more attention to Knot Tying and Lashing back in the Girl Scout day. http://www.girlscouts.org/ Why yes, dear reader, I was a Girl Scout from Brownies through 12 grade.
I’m growing rather fond of her, and am much less worried about being embarrassed by her in public.